Our teacher paired us up to pin, and my table partner was able to quickly help me pin everything together. I am using Pinmoors to pin instead of safety pins and I like them a lot. But then, I've rarely met a gadget I didn't like.
Before we started quilting our projects, we practiced on a sandwich made from the batting and backing we trimmed off the quilt. I intentionally overexposed the picture so that the various stitch lines might show up. The first task was to check to make sure our tension was set correctly to accommodate the extra thickness of the batting. Definitely easier to test when you use different color threads on each size, which I didn't. However, with only a minor adjustment to stitch length, I found the tension to be appropriate. Next was setting the width of the curve for the wiggle that I decided to use. It was suggested that the wiggle is more forgiving than a straight stitch, however, me trying to line things up without drawing lines on the quilt, resulted in many missed intersections as I think I kept my eye on the needle more than the foot. Once we reached a comfort level with the sandwich, we moved on to the quilt.
Another example of the inconsistency |
Walking foot got hung up. |
Due to leaving class to collect Gus, I didn't get as much done in class as I would have liked. However, my partner did help me select fabric for the borders. We auditioned several patterned fabrics and decided that with the heavy concentration of zebras in the borders that solid black is really the way to go.
However, not finishing the quilting in class forced me to evaluate my home setup and CLEAN off my sewing desk somewhat so that I didn't end up knocking anything off. I do like quilting at the house versus in class better as at home, my machine is set into the table and maneuvering is easier without the added height.
One of the fabrics I auditioned a week earlier for the backing is a smaller zebra print in the same collection as the zebras in the large patches. Our assessment was "a whole lotta zebras." So I went with predators for the backing. Now, had I chosen the backing earlier, I might have chosen a less intense gold for the four patches on the front. But overall, I'm quite happy with the results.
Trimmed and squared and ready for binding |
The final binding fabric - solid black works nicely with both patterns. |
3 comments:
I'm so impressed with your machine quilting! I have been terrified of it thus far, but I am also determined to learn how this year. I keep hearing that the secret to great machine quilting is practice, practice, practice. I think the black is the perfect choice for the binding - it'll make a great frame for your quilt.
Harriet has a set of several different bats you can purchase from her store (online or in Co.) Making the muslin practice pieces is what does the trick. Do you have access to Harriet Hargrave's "Heirloom Machine Quilting" book? It's a treasure trove of information on how to get started and dig in to the quilting of your tops.
Yes - I have both the set of bats sitting in a box and the fourth edition of Heirloom Machine quilting.
I'm considering attending her Boot Camp in Colorado this fall, if the budget will allow it.
Cheers, K
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